Evolution of a Media System. Chapter 3: The Telly

Posted on September 17th, 2010 in Technology | No Comments »

Two more cheerful chaps from Currys turned up with my lovely 42″ telly – took one look at my plasterboard walls and were about to slope off again, when at the last minute, one of them thought to look in the van for some of the special rawl plugs that this requires. Once found, the whole process of nailing the awesome beast to the wall took less than half an hour, and they departed with a generous tip.

I’ve moreoreless got the Harmony remote doing all the things I want it to, and both Blu-rays and Sky HD look fantastic on this giant screen. What’s amazing is how poor some SD content looks. Frasier on the Paramount Comedy channel looks worse than YouTube.

And I woke up yesterday to discover that the Sky box was actually taping what was meant to be my dummy recording. This was accompanied by a message informing me that my box’s software had been upgraded. A bit of tinkering later and I discovered that they’ve finally made Single Feed Mode work sensibly. Now if I’m watching BBC1 and a recording is due to start on BBC2, I will see a warning, and if I do nothing, it will flick over to BBC2 and make the recording correctly. This also seems to survive turning on “Anytime”. I believe that Single Feed Mode was introduced over a year ago. Good timing for me but appallingly slow for Sky’s other customers.

So, I’ve decided to postpone both the expensive SCR installation and the free, but unsightly, dish installation and just see how I rock with Single Feed for now. This completes the upgrade process. I hope you had as much fun as I did.

Now.

Where can I get a stash of good Blu-ray movies for under a tenner each?

Individualised dialogue – an example from 30 Rock

Posted on May 26th, 2009 in screenwriting, storytelling | No Comments »

Tina Fey’s breakout American sit-com 30 Rock is an exemplar of the genre in many ways. Its sketch sensibility means that it has an astonishingly high gag-rate, but the characters are well-drawn and create the comedy rather than simply being mouthpieces for it.

A well-known test of dialogue is to cover up the character names in your script and see if you can still tell who is speaking which line – does each character have their own individual voice? Here are some quick pen portraits of some of the main 30 Rock characters, which I’ll use in a minute to show you how Fey and the other writers extend this principle.

Liz Lemon - the lead, played by Tina Fey. Head writer on NBC sketch show “TGS”. Fundamentally decent girl nerd, good at her job, bad at most other things. Sample dialogue: (on being asked her religion) “I pretty much just do whatever Oprah tells me to.”

Jack Donaghy - Liz’s boss, played by Alex Baldwin. Ruthlessly ambitious corporate suit who becomes a mentor to Liz despite their differences. Sample dialogue: (on being asked why he’s wearing a Tuxedo) “It’s after six. What am I, a farmer?”

Kenneth Parcell - a page at NBC, played by Jack McBrayer. Endlessly optimistic and naive country boy, drawn to the big city by his love of television. Sample dialogue: “I don’t vote Republican or Democrat. Choosing is a sin, so I always just write in the Lord’s name.”

Tracy Jordan - star of TGS, played by Tracy Morgan. TV and movie superstar with a tenuous grasp on reality. Sample dialogue: “That’s not me. That’s a Tracy Jordan Japanese Sex Doll. You can tell us apart because it’s not suffering from a vitamin deficiency.”

Jenna Maroney - female star of TGS, now usurped by Tracy, but still consumed with self-obsession. Played by Jane Krakowski. Has been friends with Liz for years. Sample dialogue: “I got a residual check for that Japanese commercial I did! Three hundred dollars! I’m going to use the money to buy us all new boots for myself.”

Hopefully you agree that these are all good jokes, and all reflect their different personalities. But 30 Rock also scores because it avoids having Liz Lemon as the bland focal point around which a bunch of entertaining crazies orbits. Liz’s foibles, insecurities, strengths and opinions are a big part of the show, and so are her relationships to all the foregoing (and the other characters). How well do the writers know these relationships? Let’s look at how each of the other characters listed above typically refers to the lead character…

  • Jack, the corporate suit, calls her “Lemon”
  • Kenneth, the page, calls her “Miss Lemon”
  • Tracy, the lunatic, calls her “Liz Lemon” (every time)
  • Jenna, her friend since childhood, calls her “Liz”

If you can nail the relationships of your characters as clearly as this, you really know the world of your story.

If you want me or one of the other Script Surgeons to read your script and send you a detailed report on what works and what doesn’t then we are currently offering this service from just £50 with a guaranteed seven-day turnaround. Send your script in today.