Tom Salinsky

Spoilers are funny things. Sometimes you just guess what’s coming next, which I generally think is bad luck more than anything else. Whenever you’re being told a story, you’re guessing what’s coming next. Anticipation is part of the pleasure, and knowing what’s coming next isn’t necessarily a problem. But if something is supposed to come at you from left-field and on your first viewing, you are able to predict it half an hour out, that doesn’t make for the best viewing experience.

What about stories based on life? Does it harm your enjoyment of Apollo 13 if you know the crew were all safely returned to Earth? Will you refuse to see Napoleon because you know what happens at Waterloo? Anyway. If the phrase “Ferrari 1957” doesn’t stir memories in you, you might prefer to watch this film first, and read this review later, because I had no idea what was coming and in the middle of a crowded cinema, I audibly gasped “Jesus!” But, Michael Mann’s narrowly-focused biopic has problems besides – although a key one is the placement of this historic event.

Early on, Mann does very little hand-holding. About the first twenty minutes of this movie is anonymous people getting on and off trains, leaving one house to go to another, making calls in which one person we don’t know tells another person we don’t know that a third person we don’t know has done something whose significance is uncertain. A few introductory captions or a “new kid” to whom things could be explained would have helped a lot.

Eventually things come into focus, and it becomes clear that Enzo Ferrari is struggling to hold his business together, juggling two families and pinning all of his hopes on winning the famous thousand mile “Mille Miglia” race, the glory of which will regenerate his car manufacturing business. But there’s precious little drama in any of this, and bizarrely having cast passionate, explosive Adam Driver (nominative determinism strikes again!) he’s then encouraged him to greet every turn of events – whether fortuitous, disastrous, bizarre or mundane – with the same dignified glower. It deadens the narrative and is a frankly confounding choice.

Penélope Cruz and Shailene Woodley feel a little freer – but all of these American actors have been asked to do Chico Marx Italian accents (except Cruz who just sticks with her natural Spanish) which adds an additional layer of absurdity. So after two hours of planning, pontificating, organising and glowering (mainly glowering), it’s race time. And the tired old Hollywood sports movie structure would suggest that this is when Ferrari seizes victory from the jaws of defeat. However, the problem here is that victory is in the hands of his drivers and all Ferrari can do is offer futile advice from the sidelines.

What actually happens – as you very well may know – is that although one of his drivers wins the race, another one has a blow-out at 120 miles an hour and spins off the road into a collection of excited onlookers, in a devastating accident which left eleven people dead, one of them gruesomely bisected. Five of them children. It’s an astonishing moment, and the power of it does galvanise the rest of the film. But if you were hoping to discover the effect that this has on Ferrari – as engineer, as one-time race driver, as family man, as entrepreneur – then you’ll be disappointed because ten minutes later the credits are rolling. Why is this hideous turning point not positioned in the middle of the film, so we can deal with the aftermath properly? (Wikipedia tells me that the court cases rumbled on for years.)

Everything is shot with Mann’s customary style and energy, and this did a decent job of teaching me about a bit of history I had no knowledge of. But it’s weighed down by poor choices in the fundamental organisation of the material, and a hugely disappointing turn from the magnificently talented Driver.

I don’t quite know where to put The Holdovers. Alexander Payne’s style isn’t the rigorous near cookie-cutter filmmaking system of Wes Anderson, which constantly threatens to subsume the material (and often succeeds). But Payne’s recent output does show a sameyness which, sure, is the mark of an artist with something to say, but I left this film having had a decent enough time, but slightly baffled at the rapturous reception this has received in some quarters. Nothing like as vinegar-sharp as Election, this is more in the same vein as The Descendants, Sideways or Nebraska, in which grumpy middle-aged men grouse about life’s petty indignities until the external structure of the story brings them into land.

It all looks lovely, and so seventies, I assume it was shot with mahogany cameras on film made of bri-nylon. At my screening, there was even a (fake) British Board of Film Censors card giving it an “AA” rating. And a walleyed Paul Giamatti (who is being very coy about how this look was achieved) is on suitably splenetic form. Much attention is given early on to prize jackass Teddy Kountze, who is the standout asshole in Mr Hunham’s collection of lonely students who have to suffer Christmas at school. But, thanks to a conveniently-deployed helicopter, it ends up being only Dominic Sessa’s Angus Tully who is left behind, and we only have some harsh sun reflected off the ski-slopes by way of karmic retribution for Kountze.

Over time, Giamatti and Sessa’s relationship ebbs and flows, they learn a little more about each other, confess some secrets and reveal some vulnerabilities. The acting is splendid with great turns also from Da’Vine Joy Randolph and Carrie Preston. But what’s it all for? And haven’t we seen a lot of this snotty-kids-from-fancy-Academies-learn-a-thing-or-two-about-life-from-a-crochety-yet-charismatic-ersatz-father-figure before in films like Good Will Hunting, Scent of a Woman, Dead Poets Society and more besides?

I admire all the care and craft that’s been poured into this, and the script (an original by David Hemingson) is full of choice one-liners, but it feels as if the director was so keen to evoke a time, he forget to evoke all that much meaning.

The End We Start From couldn’t be more different. If Alexander Payne’s film is a warm bath slowing growing tepid, then Mahalia Belo’s is a blast of cold water in the face. And that’s more or less what happens to Jodie Comer’s young mother whose onset of labour is interrupted not by her waters breaking but by flood waters crashing through her bay windows. Plotted like a disaster movie (script by Alice Birch from the novel by Megan Hunter), this focuses not on the devastation of the UK by unstoppable storms, but on the human fallout. And like all good survival films, the biggest problem isn’t the climate disaster / erupting volcano / hoards of zombies / cordyceps infections / man-eating plants – it’s your fellow survivors and their moral weaknesses.

Indomitably trudging through this bleakness, tiny baby strapped to her chest, Jodie Comer is outstanding, and given great support by Katherine Waterston as the similarly blessed friend she makes along the way. Whether by choice, or as a consequence of the kind of limited budget generally afforded British films, the editing is lean to the point of choppy, with very few scenes allowed to linger, but the score by Anna Meredith (with occasional overtones of John Carpenter) knits the whole thing together, and the result is a harrowing tale which feels all too believable, but which crucially doesn’t forget the power of a good laugh every so often. “Do we really have nothing left to eat?” asks Comer at one point. “Only these delicious babies,” responds Waterston.

None of the characters have names, which I almost didn’t notice until moments before the end, but this gives a dark hint that this could happen to anyone. And all the details of how different people and institutions might react to such as disaster are well-worked out. With strong themes of family, duty, home and belonging, this remarkable film effortlessly transcends its pulpy premise, and adds another to a string of sensational performances from Comer who is surely one of the very best actors working in Britain today.

Two British films drawn from reality about stiff-upper-lipped Englishmen stoically doing the right thing, simply because it’s right. There’s more texture to Oliver Parker and William Ivory’s The Great Escaper, simply because Michael Caine’s decrepit old buffer causes all sorts of consternation back home when he does a bunk from his care home, and therefore it’s possible to attribute negative motivations to his actions. This film also benefits from keeping its stars (Caine and Glenda Jackson) centre-stage for much of the running time – the flashbacks to young Caine are kept to a minimum.

It doesn’t outstay its welcome, but it does feel like it’s running on rails, and ends up reaching for a catharsis which seems forever out of its reach. Its most interesting moments are those when Bernie takes a different path – visiting a comrade’s grave and missing out on the big show which was his ostensible reason for going. Spare a thought for John Standing and Victor Oshin who do nice work but get no plaudits. For one brief moment, as Bernie shares a salute with equally decrepit Germans who were firing machine guns at British troops during the Normandy landings, there’s a flicker of something much deeper, more profound and incredibly moving. But Parker swiftly moves back to the feelgood old-folks charm.

I remember watching the episode of That’s Life in which Esther Rantzen surprised Nicholas Winton with an audience full of the now grown-up children whose lives he’d saved by arranging their escape from occupied Czechoslovakia in the late 1930s. It’s practically impossible to watch without bursting into tears. If you want to watch it, a YouTube search will bring it up. Or you could watch One Life which plods its way towards the same endpoint.

Anthony Hopkins is the big ticket here, but the 1930s stuff is vastly more interesting, where we have to make do with Johnny Flynn (hilariously broad in the West End as Richard Burton at the moment), but get consolation prizes in the form of Helena Bonham Carter and Romola Garai. There’s fine evocation of time and place in these scenes, but I was left waiting for Hopkins to come back and then bored by much of what he was doing. As a hymn to the virtues of stubbornness, politeness and diligent paperwork, this is suitably stirring, but nothing can ever come close to the impact of watching that BBC broadcast, despite the best efforts of cast and crew.

Emma Seligman and Rachel Sennot continue the promise they showed in the rather more low-key Shiva Baby. With Sennot now sharing scripting duties, this is a wild, raw, bonkers, coming-of-age story, which faultlessly finds its own unique loopy tone as it plays with the cliches of high school movies and turns them all inside out in short order. In front of the camera, Sennot is joined by Ayo Edebiri, who is having quite the moment after her far more contained and intense performance in The Bear, and her hilarious and all-too-brief cameo in Theater Camp. Both are pushing 30 but manage to pull off the emotional energy of anxious teens without effort. Rounding out the trio is Ruby Cruz who brings a definite Ally Sheedy vibe, appropriate for a film which picks up where various John Hughes movies left off.

This tight, ninety-minute comedy is stuffed full of good jokes, has just enough genuine emotion not to feel like a sketch show and expertly manages the escalation from fairground teasing to punching in the school gym to… well, that would be telling. Succession’s Dagmara Domińczyk and SNL’s Punkie Johnson are somewhat thrown away, but Seligman and Sennot have the sense not to screw up the film’s lean propulsive momentum by wandering off down backstories for tertiary characters. This is the blood-soaked, feel-good movie of the year and marks Seligman out as a major talent.

Yorgos Lanthimos follows up his smash hit The Favourite with this bizarro riff on Frankenstein, from the 1992 novel by Alasdair Gray. We’re introduced to childlike Bella Baxter through the eyes of earnest young medical student Max McCandless, but before he accepts her ersatz-father’s offer to marry Bella, she’s spirited away by rakish Duncan Wedderburn. As usual, Lanthimos adheres to the motto “too weird is never weird enough”, so Willem Dafoe is caked in geometrically-crenelated latex as the hideously benevolent “God”, Kathryn Hunter makes a memorable cameo festooned with tattoos, Bella’s home is surrounded by a bizarre menagerie of cut-and-shut barnyard animals, and various seemingly random shots are given an extreme fish-eye lens treatment.

This is also one of those movies where everyone’s doing a voice. American Ramy Yussef manages to let his stiff English accent imbue the character with a naïve earnestness which works well. Dafoe’s Scottish accent seems to ebb-and-flow, but he’s such a bonkers creation that this is a minor concern. The biggest issue by far is with Mark Ruffalo, who probably would have seemed miscast if he had been allowed to use his own accent, but he’s so far away from the caddish Wedderburn to begin with that the strangulated and inconsistent dialect only compounds the problem. Presumably Jason Isaacs was too busy pretending to be Cary Grant?

But the movie belongs to Emma Stone, who not only fully integrates a flawless cut-glass accent into her performance, but flings herself into the infantile aspects of the role, and precisely tracks Bella’s evolution from feral force of nature, to wilful sex maniac, to bleeding heart handwringing liberal, to effortlessly compassionate master of her own destiny. It’s a stunningly ego-less performance, and Stone’s bad luck that she’s likely up against Lily Gladstone at this year’s Oscars.

What’s it all about though? Well, somewhere under the wacky camera angles, ripe performances, storybook production design and discordant score, there’s a parable about childhood, feminism, socialism and the nature of romantic love. But if this a feminist empowerment film (written by a dude, directed by a dude, based on a novel by a dude), it’s one of those feminist empowerment films in which empowerment is achieved largely by the shedding of clothing. If you’ve ever had cause to wonder what Emma Stone’s nipples look like – wonder no longer. And yet, for all the odd choices, eccentric casting and dodgy accents, there are images and ideas and sequences here which will stay with me. I preferred this to The Lobster, which for all its bracingly flat oddness ran out of ideas in the last third, but it’s not as viscerally engaging as The Favourite, which also has the very fact that it’s about royalty and ruling to give it a bit more thematic ballast.

Good Grief dropped quietly on Netflix just after Christmas. There are so many movies and TV series coming to this streaming service in particular, that it’s not even hard to keep up any more – it’s hard to notice. For some reason, this one caught our eye, and we decided to give it a spin. Dan Levy (who also writes and directs) plays illustrator Marc whose husband of some years is suddenly killed, and he ends up with best friends Thomas (Himesh Patel) and Sophie (Ruth Negga) in Paris, trying to make sense of it all.

For the first third, this is almost too well-done, a hauntingly accurate portrayal of what a life cut short looks like, and it was almost a relief when the plot took a turn for the slightly more melodramatic in the middle. Be warned, we’re leaving Schitt’s Creek a long way behind. And the story continues to be engrossingly told, keenly observed and well acted, even if it never bubbles over into anything more profound, moving or insightful. Levy keeps his David Rose tics under control, Patel underplays and probably could have stood to do a bit more, as he gets a bit lost. But MVP is Ruth Negga who (allowed to use her natural accent for once) has a whale of a time with the free-spirited Sophie who lights up every scene she’s in, even – or especially – when making terrible life choices.

Look out also for The Crown’s Emma Corrin, national treasure Celia Imrie and Luke Evans who has the mighty task of making us fall in love with Oliver in the ten minutes of screen time he has before his fatal accident.

Paul King is a superbly accomplished filmmaker. As if it needed demonstrating, Paddington 2 proved that Paddington was no fluke. He has wonderful visual flair, a warm sense of humour, an enviable address book of British comedy and acting talent, and a keen eye for storytelling. But Willy Wonka is not Paddington Bear and the approach which worked so well in his two smash hit ursine masterworks doesn’t suit this character nearly so well.

This is something of a disappointment. Wonka The Early Years was always a terrible pitch, but not everyone had faith that resurrecting beloved children’s character Paddington Bear would prove successful in the era of TikTok, iPhones and Brexit, and that worked great in the right hands. However, the problems inherent in the very idea of returning to Wonka’s origins turn out to be insurmountable and they gang up to tear in half this slender and not-nearly-funny-enough movie, which is too silly for adults and quite likely too boring for many kids.

In Roald Dahl’s story (and the 1971 film adaptation starring Gene Wilder, to which this film is almost more indebted) the central character is an ordinary child, and the mysterious, reclusive, magical, dangerous, unpredictable and mercurial Wonka is kept carefully at arm’s length. Having him as the protagonist means making him prosaic, outgoing, amiable, understandable and knowable, all of which are terrible ideas. This conflict between the needs of the character and the requirements of the plot drives a series of fatal contradictions through every beat of this film.

So, Wonka, who is utterly impoverished, is capable of magically producing endless supplies of chocolate from thin air – with a single trip to procure giraffe milk being the only time that any thought is given to the need for ingredients, which he never seems to need to pay for. No, I don’t want my beguiling fantasy wizard to be sending invoices to suppliers, but then I don’t want an entire movie built around his financial fortunes either, so it’s definitely the movie’s fault and not mine that I’m asking these questions. When absolutely at his lowest economic ebb, he is able to whisk up an ingenious Oompa-Loompa trap, despite the fact that he has been plagued by this antagonist for literal years, and has never thought to do this at any previous point, when it would no doubt have been far easier.

Wonka is both given an inability to read, and is required to solve a subplot by identifying the letters on a signet ring and working out what they stand for. His imprisoning by Oliva Colman’s Mrs Scrubbit does far more to solve his problem of not having anywhere to sleep, and also furnishes him with a ready-made gang of acolytes than it does to inconvenience him in any way. His endless chocolate-making is fuelled by  cocoa beans which he stole from Loompa-land where they are in very short supply (why not visit somewhere where they grow in abundance then?). He is able to transform a derelict shop into a chocolate palace overnight and seemingly without effort, but is unable to repeat the trick when it catches on fire. Customers desert him in droves when his chocolate causes bizarre transformations, but this is completely forgotten about in the climax when everybody accepts free candy from the man who wrecked their appearance. And so on, and so on, and so on… What’s weirdest of all is that in the Dahl/Wilder version of the story, chocolates were for kids, as you might expect. Here they’re almost exclusively for adults who are nostalgic for their childhood. And desire for chocolate is horrible and leads to vile obesity if you’re a bad adult, but is a magical and delightful experience if you’re nice.

Of course, this is still a Paul King film, so things aren’t all bad. There’s the usual roster of familiar telly faces, with such luminous talents as Sally Hawkins, Sophie Winkleman, Charlotte Ritchie and Isy Suttie all in micro-roles, and meatier parts for the likes of Rowan Atkinson, Hugh Grant, Keegan-Michael Key, Jim Carter, Rakhee Thakrar and Matt Lucas. The songs by Neil Hannon are perfectly serviceable, although shown up by the reprised Leslie Bricusse/Anthony Newley classics. But, even though the Paddington films took place in an artificial world, the basic strategy of an innocent bear in a familiar environment worked, and grounded the stories, so that when King wanted us to feel something, we did. Here, everything is a candy-coloured cartoon, nothing feels real, and when I’m supposed to feel something for moppety Noodle, it’s impossible because she’s made of sugar and pixels, and when I’m supposed to feel something for Wonka, I fundamentally don’t want to. All of Hugh Grant’s best gags are in the trailer, too. Bugger.

My knowledge of and enthusiasm for Godzilla movies is scanty. As I understand it, some time in the mid-1950s, Japanese filmmakers mashed up King Kong and post-Hiroshima science fiction tropes about radiation-created mutations and came up with a suitably thrilling monster movie which spawned endless sequels and imitations. But more recent American attempts to recreate the appeal have foundered, and part of the problem I think is that the monster has always been the star. Thus it’s very tempting to want to make your 100 foot title character, with rizz to spare, in some way the goodie, which means you need another monstrous antagonist, and before you know it, all the human characters have got lost in the shuffle.

Takashi Yamazaki’s new film nimbly avoids all of these problems. His Godzilla is nothing less than an elemental force, a devastating force of destruction which needs to be eliminated at – almost – any cost. He’s also smart enough to sketch in a roster of appealing, but very killable, plucky humans to go up against it – and crucially gives one of them a personal connection to the monster. And the structure really couldn’t be any simpler, breaking neatly into four acts of about thirty minutes each: Godzilla exists, Godzilla returns, Godzilla on land, final confrontation.

Set in the immediate aftermath of World War II, this positions the action prior to the making of the original Godzilla film. (Hence “minus one” I guess. A black-and-white version is on the way, dubbed “Godzilla Minus Colour”.) But, whether with a view on the home or international audience I couldn’t say, this is also a specifically Japanese version of the story, deeply connected with themes of how war in general wastes lives and how the Japanese involvement and tactics in the Pacific Theatre specifically wasted lives. And while it briefly seems to be celebrating those tactics which it earlier seemed to be condemning, this is little more than a tissue-paper-thin action movie feint.

Add to this preposterously convincing effects throughout – whether Godzilla is rising from the ocean, shuffling through buildings, tossing railway carriages through the air in its teeth, or blasting death rays from its jaws – and you have a hugely entertaining, if occasionally slightly leisurely, kill-the-monster movie. My only qualm is that I’m not quite certain who it’s for, being too slender for grown-ups, and too intense for kids, but it seems to have made a bunch of money, so maybe there’s enough margin between those two points for it to recoup all of its costs and set us up for what will presumably be Godzilla Zero in 2026.

Frustratingly, but very deliberately, Russell holds the new Doctor back a good long while. Knowing that this could be many viewers’ first episode of Doctor Who, and having successfully cut ties with so much of the show’s baggage, we begin – as we did in 2005 – with an ordinary young woman whose life is about to become extraordinary, and we see the Doctor through her eyes.

Like the Auton invasion in Rose, this is a relatively simple problem for the Doctor to solve, and a relatively easy monster to despatch. Unlike Rose, which needed to promise the old fans in the audience that this was the same old show while simultaneously recruiting a whole new legion of devotees, Ruby Road was determined to present things we’d never seen before – a Doctor who raves, who cries freely, who celebrates family, who comments that he was adopted. And a Doctor who fights baby-eating foot-stomping goblins in their great big sky ship.

Silly? Yeah. But you have to be wilfully stupid to assume that this was some kind of accident. Arguably, these four shows together have had it as their mission statement to show in the shortest possible time the sheer breadth of the show’s possibilities, from near-literal comic book adventure, to claustrophobic psychological horror, to wild exuberant fantasy, to now storybook villainy which owes more to The Brothers Grimm than Terry Nation or Robert Holmes.

What makes this work, more than anything, is the stunning pairing of Millie Gibson and Ncuti Gatwa. I’ve not seen more than ten minutes of Sex Education, and I’ve never watched Coronation Street, so as far as I’m concerned, they are Ruby Sunday and the Doctor, and I can barely remember a double debut as confident (possibly Matt Smith and Karen Gillan) and while this is explicitly designed as a “jumping-on” point that confidence extends to lots of little teases for future storylines, adding to the pile of little clues from the other three specials. I even didn’t mind Davina McCall.

But there are a few problems. Returning director Mark Tonderai’s shot assembly is somewhat haphazard in places, with the Doctor’s big hero jump composed of three different mismatching shots optimistically but unconvincingly cut together as quickly as possible; I never had any sense of the geography on board the goblin ship, and it isn’t even clear what’s happening in the big spire-through-the-belly climax on first watching. The Sunday’s flat also appears to be bigger on the inside, as Ruby comes to the end of the corridor, turns left to go through her front door, and then turns right into the expansive kitchen, which would seem to me to put her outside the building.

There are also some pacing problems, to do with a big effects scene involving the Goblin King inside the flat which was cut at the eleventh hour – thus, also, the odd 55-minute running time. The result is that the air goes out of the balloon following the rescue of baby Lulubelle and there’s too much standing and talking. However, the second half of that standing-and-talking is what this whole episode is really about. With a nod to A Christmas Carol or It’s a Wonderful Life, the Doctor – and we – get to see what Carla’s life would be like without Ruby. And it’s a cold, hard, bleak, cynical existence, without joy or warmth or love – Michelle Greenidge is astonishing here. And it reduces the Doctor to tears. Wow. Just wow.

Those pacing and directing problems, plus the fact that it’s such a trivial problem mean I can’t give this more than four stars, but I’m tremendously optimistic for the future, and this is a wonderful introduction to an incredible TARDIS team.

This is every episode I watched ordered by star rating. Episodes with the same star rating can be assumed to be equally good.

• TNG S07E25 All Good Things…
• TOS S02E01 Amok Time
• TOS S01E14 Balance of Terror
• TNG S03E26 The Best of Both Worlds
• TNG S04E01 The Best of Both Worlds, Part II
• DS9 S05E15 By Inferno’s Light
• TNG S05E18 Cause and Effect
• TNG S06E11 Chain of Command, Part II
• TOS S01E28 The City on the Edge of Forever
• DS9 S02E23 Crossover
• TOS S01E25 The Devil in the Dark
• TNG S06E14 Face of the Enemy
• TNG S04E02 Family
• DS9 S06E13 Far Beyond the Stars
• ENT S03E20 The Forgotten
• TNG S05E23 I Borg
• ENT S04E19 In a Mirror, Darkly, Part II
• DS9 S05E14 In Purgatory’s Shadow
• VOY S05E04 In the Flesh
• DS9 S06E19 In the Pale Moonlight
• TNG S05E25 The Inner Light
• TNG S02E09 The Measure of a Man
• VOY S04E25 One
• DS9 S04E10 Our Man Bashir
• TNG S06E04 Relics
• DS9 S06E06 Sacrifice of Angels
• TNG S03E23 Sarek
• TNG S06E12 Ship in a Bottle
• TOS S01E22 Space Seed
• TNG S06E18 Starship Mine
• TNG S06E15 Tapestry
• TOS S01E24 This Side of Paradise
• DS9 S05E06 Trials and Tribble-ations
• TNG S05E08 Unification II
• DS9 S04E03 The Visitor
• DS9 S04E01-2 The Way of the Warrior
• TOS MOS02 The Wrath of Khan
• TNG S03E15 Yesterday’s Enterprise

• DS9 S03E26 The Adversary
• TOS S01E18 Arena
• ENT S03E18 Azati Prime
• TNG S06E16 Birthright, Part I
• VOY S07E07 Body and Soul
• DS9 S02E05 Cardassians
• TNG S06E10 Chain of Command, Part I
• DS9 S05E22 Children of Time
• ENT S03E12 Chosen Realm
• DS9 S03E07 Civil Defense
• ENT S04E05 Cold Station 12
• TNG S05E14 Conundrum
• TOS S01E10 The Corbomite Maneuver
• VOY S05E18 Course: Oblivion
• ENT S03E19 Damage
• VOY S05E15-16 Dark Frontier
• VOY S04E03 Day of Honor
• TNG S03E10 The Defector
• TNG S06E26 Descent
• TNG S07E01 Descent, Part II
• TOS S02E06 The Doomsday Machine
• DS9 S01E19 Duet
• TNG S02E20 The Emissary
• DS9 S05E24 Empok Nor
• VOY S07E25-26 Endgame
• TNG S05E03 Ensign Ro
• TNG S04E15 First Contact
• TNG MNG02 First Contact
• DS9 S05E13 For the Uniform
• TNG S06E21 Frame of Mind
• TNG S04E08 Future Imperfect
• TNG S07E05 Gambit, Part II
• VOY S04E02 The Gift
• TNG S04E22 Half a Life
• DS9 S04E19 Hard Time
• DS9 S04E04 Hippocratic Oath
• VOY S04E26 Hope and Fear
• DS9 S03E03 The House of Quark
• TOS S02E18 The Immunity Syndrome
• ENT S03E05 Impulse
• VOY S05E07 Infinite Regress
• TOS S03E05 Is There in Truth No Beauty?
• DS9 S02E26 The Jem’Hadar
• VOY S04E18-19 The Killing Game
• VOY S05E11 Latent Image
• VOY S06E24 Life Line
• DS9 S04E08 Little Green Men
• DS9 S02E20 The Maquis, Part I
• VOY S02E16 Meld
• TNG S04E24 The Mind’s Eye
• TOS S02E04 Mirror, Mirror
• VOY S04E12 Mortal Coil
• TNG S03E22 The Most Toys
• TOS S01E04 The Naked Time
• VOY S05E01 Night
• TNG S04E19 The Nth Degree
• TNG S07E12 The Pegasus
• TNG S07E24 Preemptive Strike
• VOY S04E16 Prey
• ENT S03E13 Proving Ground
• TNG S02E16 Q Who
• ENT S02E23 Regeneration
• TNG S04E05 Remember Me
• DS9 S06E02 Rocks and Shoals
• VOY S04E01 Scorpion, Part II
• TNG S06E24 Second Chances
• DS9 S03E05 Second Skin
• ENT S01E15 Shadows of P’Jem
• DS9 S05E02 The Ship
• DS9 S02E03 The Siege
• DS9 S07E08 The Siege of AR-558
• TAS S01E14 The Slaver Weapon
• DS9 S04E07 Starship Down
• VOY S06E02 Survival Instinct
• ENT S04E21 Terra Prime
• DS9 S05E19 Ties of Blood and Water
• TNG S06E25 Timescape
• DS9 S04E23 To the Death
• ENT S03E08 Twilight
• TOS S02E24 The Ultimate Computer
• ENT S04E13 United
• VOY S03E17 Unity
• ENT S01E22 Vox Sola
• DS9 S06E11 Waltz
• DS9 S07E25-26 What You Leave Behind
• DS9 S02E22 The Wire
• VOY S04E08 Year of Hell

• VOY S02E01 The 37’s
• TOS S03E23 All Our Yesterdays
• ENT S01E07 The Andorian Incident
• DS9 S05E01 Apocalypse Rising
• DS9 S02E13 Armageddon Game
• DS9 S05E09 The Ascent
• ENT S04E06 The Augments
• DS9 S07E15 Badda-Bing Badda-Bang
• VOY S06E03 Barge of the Dead
• TNG S01E09 The Battle
• DS9 S06E04 Behind the Lines
• TAS S01E01 Beyond the Farthest Star
• TNG S06E17 Birthright, Part II
• VOY S06E12 Blink of an Eye
• ENT S04E04 Borderland
• VOY S05E12 Bride of Chaotica!
• TNG S04E03 Brothers
• TOS S02E22 By Any Other Name
• DS9 S05E26 Call to Arms
• TNG S03E19 Captain’s Holiday
• ENT S02E02 Carbon Creek
• VOY S06E19 Child’s Play
• DS9 S07E14 Chimera
• DS9 S02E02 The Circle
• ENT S01E11 Cold Front
• DS9 S04E13 Crossfire
• TOS S01E09 Dagger of the Mind
• TNG S05E02 Darmok
• TNG S04E11 Data’s Day
• DS9 S03E09 Defiant
• TNG S03E13 Déjà Q
• DS9 S03E21 The Die is Cast
• VOY S02E17 Dreadnought
• VOY S05E02 Drone
• TNG S02E03 Elementary, Dear Data
• TNG S03E07 The Enemy
• TOS S01E05 The Enemy Within
• TNG S03E02 The Ensigns of Command
• TOS S03E02 The Enterprise Incident
• DS9 S07E23 Extreme Measures
• ENT S01E23 Fallen Hero
• DS9 S03E23 Family Business
• DS9 S06E05 Favor the Bold
• TNG S06E08 A Fistful of Datas
• VOY S03E02 Flashback
• VOY S07E09 Flesh and Blood
• DS9 S04E22 For the Cause
• VOY S07E21 Friendship One
• VOY S03E09 Future’s End, Part II
• TOS S01E16 The Galileo Seven
• TNG S07E04 Gambit, Part I
• VOY S05E13 Gravity
• DS9 S03E14 Heart of Stone
• TNG S05E11 Hero Worship
• TNG S03E21 Hollow Pursuits
• TNG S01E18 Home Soil
• DS9 S02E01 The Homecoming
• DS9 S04E11 Homefront
• TAS S02E05 How Sharper Than a Serpent’s Tooth
• TNG S04E18 Identity Crisis
• VOY S07E02 Imperfection
• ENT S04E18 In a Mirror, Darkly
• DS9 S04E05 Indiscretion
• TAS S01E07 The Infinite Vulcan
• DS9 S06E18 Inquisition
• VOY S07E06 Inside Man
• DS9 S07E16 Inter Arma Enim Silent Leges
• DS9 S07E10 It’s Only a Paper Moon
• TOS S02E10 Journey to Babel
• ENT S02E19 Judgment
• ENT S04E09 Kir’Shara
• VOY S01E16 Learning Curve
• DS9 S05E03 Looking for par’Mach in All the Wrong Places
• TNG S07E15 Lower Decks
• VOY S03E12 Macrocosm
• TAS S01E08 The Magicks of Megas-tu
• TOS S01E01 The Man Trap
• VOY S02E11 Maneuvers
• DS9 S02E21 The Maquis, Part II
• TNG S02E08 A Matter of Honor
• VOY S06E14 Memorial
• VOY S04E14 Message in a Bottle
• ENT S02E03 Minefield
• DS9 S02E08 Necessary Evil
• TNG S05E10 New Ground
• TNG S05E24 The Next Phase
• ENT S03E09 North Star
• DS9 S05E04 …Nor the Battle to the Strong
• ENT S04E11 Observer Effect
• TOS S02E13 Obsession
• VOY S06E08 One Small Step
• DS9 S04E12 Paradise Lost
• DS9 S03E11 Past Tense, Part I
• DS9 S02E18 Profit and Loss
• VOY S04E06 The Raven
• DS9 S04E06 Rejoined
• VOY S05E24 Relativity
• TOS S01E21 The Return of the Archons
• DS9 S04E14 Return to Grace
• TOS S02E20 Return to Tomorrow
• VOY S04E05 Revulsion
• TNG S06E05 Schisms
• VOY S03E26 Scorpion
• DS9 S03E01 The Search, Part I
• DS9 S07E02 Shadows and Symbols
• VOY S07E11 Shattered
• ENT S03E07 The Shipment
• TNG S05E04 Silicon Avatar
• ENT S03E10 Similitude
• ENT S01E14 Sleeping Dogs
• DS9 S05E21 Soldiers of the Empire
• ENT S03E14 Stratagem
• VOY S03E04 The Swarm
• TOS S01E23 A Taste of Armageddon
• DS9 S06E26 Tears of the Prophets
• DS9 S05E08 Things Past
• VOY S05E20 Think Tank
• TOS S03E09 The Tholian Web
• DS9 S06E01 A Time to Stand
• VOY S05E06 Timeless
• TNG S05E26 Time’s Arrow
• VOY S06E04 Tinker, Tenor, Doctor, Spy
• TOS S01E19 Tomorrow Is Yesterday
• DS9 S07E06 Treachery, Faith, and the Great River
• DS9 S02E25 Tribunal
• TOS S02E15 The Trouble With Tribbles
• TOS MOS06 The Undiscovered Country
• TNG S05E07 Unification I
• VOY S06E26 Unimatrix Zero
• TOS MOS04 The Voyage Home
• TNG S01E06 Where No One Has Gone Before
• TNG S03E04 Who Watches the Watchers
• VOY S07E16 Workforce
• VOY S03E25 Worst Case Scenario
• TNG S04E12 The Wounded
• VOY S04E09 Year of Hell, Part II

• DS9 S03E06 The Abandoned
• ENT S04E14 The Aenar
• TAS S02E04 Albatross
• TNG S03E18 Allegiance
• TNG S01E21 The Arsenal of Freedom
• VOY S06E18 Ashes to Ashes
• DS9 S05E05 The Assignment
• TNG S07E08 Attached
• ENT S04E08 Awakening
• ENT S04E12 Babel One
• VOY S02E26 Basics, Part I
• VOY S03E21 Before and After
• DS9 S05E23 Blaze of Glory
• VOY S05E14 Bliss
• TNG S03E05 The Bonding
• DS9 S04E26 Broken Link
• DS9 S01E06 Captive Pursuit
• ENT S02E12 The Catwalk
• DS9 S06E16 Change of Heart
• TOS S02E03 The Changeling
• DS9 S07E20 The Changing Face of Evil
• TNG S04E14 Clues
• VOY S03E15 Coda
• VOY S04E11 Concerning Flight
• TNG S02E11 Contagion
• ENT S03E23 Countdown
• VOY S05E10 Counterpoint
• DS9 S07E09 Covenant
• TNG S01E13 Datalore
• DS9 S01E08 Dax
• TOS S03E07 Day of the Dove
• ENT S02E04 Dead Stop
• VOY S02E21 Deadlock
• ENT S01E13 Dear Doctor
• ENT S04E20 Demons
• ENT S01E24 Desert Crossing
• DS9 S03E15 Destiny
• TNG S05E05 Disaster
• VOY S03E24 Displaced
• DS9 S05E16 Doctor Bashir, I Presume?
• VOY S05E26 Equinox
• TOS S01E26 Errand of Mercy
• TNG S03E01 Evolution
• VOY S01E07 Eye of the Needle
• DS9 S03E25 Facets
• ENT S02E24 First Flight
• ENT S01E10 Fortunate Son
• ENT S02E16 Future Tense
• VOY S03E08 Future’s End, Part I
• VOY S06E20 Good Shepherd
• VOY S06E25 The Haunting of Deck Twelve
• TNG S01E20 Heart of Glory
• ENT S04E03 Home
• TNG S07E13 Homeward
• TNG S03E11 The Hunted
• DS9 S07E01 Image in the Sand
• DS9 S03E20 Improbable Cause
• DS9 S01E20 In the Hands of the Prophets
• DS9 S02E04 Invasive Procedures
• VOY S01E15 Jetrel
• TNG S06E19 Lessons
• DS9 S03E13 Life Support
• VOY S06E21 Live Fast and Prosper
• VOY S04E23 Living Witness
• TNG S01E07 Lonely Among Us
• TNG S04E10 The Loss
• TNG S05E09 A Matter of Time
• TNG S03E24 Ménage à Troi
• TOS S02E09 Metamorphosis
• TOS S01E08 Miri
• TOS S01E06 Mudd’s Women
• DS9 S01E11 The Nagus
• TNG S01E03 The Naked Now
• TNG S01E26 The Neutral Zone
• TNG S04E17 Night Terrors
• VOY S04E21 The Omega Directive
• TAS S01E03 One of Our Planets is Missing
• TOS S01E29 Operation: Annihilate!
• TOS S03E03 The Paradise Syndrome
• VOY S02E07 Parturition
• DS9 S03E12 Past Tense, Part II
• VOY S06E10 Pathfinder
• TNG S02E21 Peak Performance
• TOS S02E17 A Piece of the Action
• TAS S02E01 The Pirates of Orion
• DS9 S02E17 Playing God
• TNG S05E15 Power Play
• VOY S01E10 Prime Factors
• DS9 S01E15 Progress
• VOY S03E11 The Q and the Grey
• VOY S07E19 Q2
• VOY S04E10 Random Thoughts
• TNG S06E02 Realm of Fear
• DS9 S06E21 The Reckoning
• TNG S05E01 Redemption II
• VOY S03E06 Remember
• VOY S07E24 Renaissance Man
• VOY S07E04 Repression
• VOY S02E12 Resistance
• TNG S04E07 Reunion
• VOY S06E06 Riddles
• VOY S03E19 Rise
• DS9 S04E18 Rules of Engagement
• TOS MOS03 The Search for Spock
• DS9 S03E02 The Search, Part II
• DS9 S02E09 Second Sight
• ENT S02E07 The Seventh
• DS9 S02E16 Shadowplay
• ENT S02E01 Shockwave, Part II
• TNG S03E17 Sins of the Father
• DS9 S06E25 The Sound of Her Voice
• DS9 S06E09 Statistical Probabilities
• ENT S02E14 Stigma
• TAS S01E06 The Survivor
• DS9 S07E22 Tacking Into the Wind
• DS9 S07E04 Take Me Out to the Holosuite
• ENT S01E06 Terra Nova
• TAS S01E11 The Terratin Incident
• ENT S04E22 These Are the Voyages…
• DS9 S07E18 ’Til Death Do Us Part
• TNG S07E16 Thine Own Self
• DS9 S03E19 Through the Looking Glass
• VOY S01E04 Time and Again
• TNG S02E13 Time Squared
• TNG S06E01 Time’s Arrow, Part II
• TNG S03E20 Tin Man
• TNG S06E06 True Q
• VOY S02E24 Tuvix
• VOY S07E01 Unimatrix Zero, Part II
• DS9 S01E12 Vortex
• VOY S04E13 Waking Moments
• DS9 S07E21 When It Rains…
• TOS S01E03 Where No Man Has Gone Before
• DS9 S02E14 Whispers
• TOS S03E14 Whom Gods Destroy
• TOS S03E11 Wink of an Eye
• VOY S07E17 Workforce, Part II
• TAS S01E02 Yesteryear
• ENT S03E24 Zero Hour

• TNG S01E15 11001001
• DS9 S04E17 Accession
• DS9 S07E03 Afterimage
• DS9 S02E12 The Alternate
• ENT S03E02 Anomaly
• DS9 S01E05 Babel
• VOY S03E01 Basics, Part II
• DS9 S05E12 The Begotten
• TAS S02E02 Bem
• VOY S03E16 Blood Fever
• TNG S03E06 Booby Trap
• ENT S02E21 The Breach
• TOS S02E25 Bread and Circuses
• ENT S01E01-02 Broken Bow
• ENT S03E11 Carpenter Street
• VOY S01E13 Cathexis
• ENT S02E15 Cease Fire
• TOS S01E02 Charlie X
• ENT S01E09 Civilization
• TOS S03E21 The Cloud Minders
• VOY S02E10 Cold Fire
• DS9 S02E24 The Collaborator
• VOY S06E16 Collective
• ENT S02E08 The Communicator
• TNG S01E25 Conspiracy
• ENT S03E22 The Council
• TOS S01E20 Court Martial
• ENT S04E10 Daedalus
• TNG S02E10 The Dauphin
• ENT S02E13 Dawn
• TOS S02E12 The Deadly Years
• VOY S02E18 Death Wish
• ENT S01E21 Detained
• DS9 S07E24 The Dogs of War
• VOY S02E04 Elogium
• TNG S07E23 Emergence
• DS9 S01E01-2 Emissary
• TNG S01E01-2 Encounter at Farpoint
• DS9 S03E04 Equilibrium
• VOY S06E01 Equinox, Part II
• TNG S05E16 Ethics
• ENT S02E26 The Expanse
• DS9 S03E22 Explorers
• TAS S01E15 The Eye of the Beholder
• VOY S01E14 Faces
• DS9 S07E13 Field of Fire
• TNG S04E09 Final Mission
• ENT S04E07 The Forge
• DS9 S01E17 The Forsaken
• TNG S04E16 Galaxy’s Child
• TNG  MNG01 Generations
• TNG S03E12 The High Ground
• VOY S07E23 Homestead
• VOY S04E15 Hunters
• TNG S07E10 Inheritance
• TNG MNG03 Insurrection
• TNG S01E08 Justice
• ENT S02E06 Marauders
• TNG S07E17 Masks
• TNG S03E14 A Matter of Perspective
• TOS S01E11 The Menagerie, Part I
• TOS S01E12 The Menagerie, Part II
• TOS MOS01 The Motion Picture
• DS9 S07E07 Once More Unto the Breach
• DS9 S06E14 One Little Ship
• DS9 S02E15 Paradise
• VOY S01E03 Parallax
• TNG S07E11 Parallels
• DS9 S01E03 Past Prologue
• DS9 S07E17 Penumbra
• TNG S06E09 The Quality of Life
• DS9 S04E24 The Quickening
• DS9 S05E10 Rapture
• TNG S06E07 Rascals
• TNG S04E26 Redemption
• TNG S06E23 Rightful Heir
• DS9 S02E07 Rules of Acquisition
• DS9 S04E20 Shattered Mirror
• TOS S01E15 Shore Leave
• ENT S01E16 Shuttlepod One
• DS9 S06E03 Sons and Daughters
• TOS S03E06 Spectre of the Gun
• TOS S01E17 The Squire of Gothos
• VOY S01E11 State of Flux
• TNG S06E22 Suspicions
• TOS S03E17 That Which Survives
• DS9 S06E24 Time’s Orphan
• TOS S03E24 Turnabout Intruder
• DS9 S06E22 Valiant
• VOY S07E15 The Void
• VOY S06E09 The Voyager Conspiracy
• VOY S03E10 Warlord
• TOS S03E20 The Way to Eden
• DS9 S06E17 Wrongs Darker Than Death or Night

• DS9 S04E16 Bar Association
• TNG S01E12 The Big Goodbye
• DS9 S02E19 Blood Oath
• TNG S07E22 Bloodlines
• ENT S01E08 Breaking the Ice
• DS9 S05E18 Business as Usual
• TNG S06E20 The Chase
• TOS S01E13 The Conscience of the King
• TNG S05E20 Cost of Living
• TAS S02E06 The Counter-Clock Incident
• VOY S07E05 Critical Care
• ENT S02E18 The Crossing
• DS9 S05E11 The Darkness and the Light
• VOY S03E23 Distant Origin
• ENT S03E16 Doctor’s Orders
• DS9 S01E18 Dramatis Personae
• VOY S07E03 Drive
• TNG S04E21 The Drumhead
• TOS S03E12 The Empath
• ENT S03E06 Exile
• TNG S05E19 The First Duty
• TOS S02E11 Friday’s Child
• VOY S06E23 Fury
• ENT S03E17 Hatchery
• VOY S01E12 Heroes and Demons
• VOY S07E18 Human Error
• TNG S02E14 The Icarus Factor
• VOY S02E02 Initiations
• VOY S02E22 Innocence
• TNG S07E03 Interface
• VOY S02E20 Investigations
• TAS S01E16 The Jihad
• VOY S05E21 Juggernaut
• TNG S01E05 The Last Outpost
• TNG S04E06 Legacy
• TNG S07E02 Liaisons
• DS9 S01E04 A Man Alone
• TOS S03E16 The Mark of Gideon
• DS9 S02E06 Melora
• TAS S01E05 More Tribbles, More Troubles
• VOY S04E04 Nemesis
• VOY S05E08 Nothing Human
• ENT S01E20 Oasis
• TNG S03E16 The Offspring
• TNG S05E17 The Outcast
• VOY S02E08 Persistence of Vision
• VOY S02E03 Projections
• DS9 S03E16 Prophet Motive
• VOY S02E13 Prototype
• ENT S01E18 Rogue Planet
• DS9 S02E10 Sanctuary
• TNG S02E06 The Schizoid Man
• VOY S04E07 Scientific Method
• DS9 S03E24 Shakaar
• ENT S01E26 Shockwave
• DS9 S05E17 A Simple Investigation
• DS9 S04E15 Sons of Mogh
• DS9 S07E19 Strange Bedfellows
• TNG S04E04 Suddenly Human
• TNG S03E03 The Survivors
• DS9 S04E09 The Sword of Kahless
• DS9 S03E17 Visionary
• TOS S01E07 What Are Little Girls Made Of?
• TOS S02E02 Who Mourns for Adonais?
• DS9 S06E07 You are Cordially Invited…

• VOY S05E23 11:59
• TOS S01E27 The Alternative Factor
• TAS S01E13 The Ambergris Element
• TNG S06E13 Aquiel
• DS9 S01E13 Battle Lines
• DS9 S04E25 Body Parts
• ENT S02E17 Canamar
• VOY S01E01-2 Caretaker
• TNG S02E01 The Child
• DS9 S07E05 Chrysalis
• VOY S03E03 The Chute
• VOY S01E06 The Cloud
• ENT S02E22 Cogenitor
• TNG S01E19 Coming of Age
• TNG S07E07 Dark Page
• VOY S03E18 Darkling
• TNG S04E13 Devil’s Due
• VOY S05E17 The Disease
• DS9 S03E18 Distant Voices
• VOY S06E07 Dragon’s Teeth
• ENT S03E21 E²
• TOS S03E13 Elaan of Troyius
• VOY S01E09 Emanations
• VOY S05E03 Extreme Risk
• TNG S07E18 Eye of the Beholder
• VOY S03E13 Fair Trade
• VOY S03E05 False Profits
• DS9 S05E20 Ferengi Love Songs
• ENT S01E03 Fight or Flight
• TOS MOS05 The Final Frontier
• TNG S07E21 Firstborn
• TOS S03E08 For the World Is Hollow and I Have Touched the Sky
• TNG S05E06 The Game
• TOS S02E16 The Gamesters of Triskelion
• TNG S01E11 Haven
• TNG S01E10 Hide and Q
• DS9 S06E20 His Way
• ENT S02E20 Horizon
• TNG S04E23 The Host
• TOS S02E08 I, Mudd
• TNG S05E22 Imaginary Friend
• DS9 S05E25 In the Cards
• TNG S04E25 In Theory
• TNG S07E20 Journey’s End
• DS9 S05E07 Let He Who Is Without Sin…
• TOS S03E18 The Lights of Zetar
• VOY S07E12 Lineage
• TAS S01E04 The Lorelei Signal
• TNG S02E05 Loud as a Whisper
• DS9 S06E10 The Magnificent Ferengi
• TNG S06E03 Man of the People
• TNG S05E13 The Masterpiece Society
• DS9 S04E21 The Muse
• VOY S06E22 Muse
• ENT S02E05 A Night In Sickbay
• VOY S07E08 Nightingale
• VOY S02E05 Non Sequitur
• TAS S01E09 Once Upon a Planet
• DS9 S01E09 The Passenger
• TOS S02E21 Patterns of Force
• TNG S02E15 Pen Pals
• TNG S05E21 The Perfect Mate
• VOY S01E05 Phage
• TNG S07E06 Phantasms
• TOS S03E10 Plato’s Stepchildren
• TNG S03E08 The Price
• TOS S02E19 A Private Little War
• VOY S07E14 Prophecy
• DS9 S01E07 Q-Less
• TNG S04E20 Qpid
• VOY S02E25 Resolutions
• DS9 S06E08 Resurrection
• TNG S02E12 The Royale
• VOY S03E07 Sacred Ground
• TNG S02E17 Samaritan Snare
• TOS S03E22 The Savage Curtain
• ENT S02E09 Singularity
• VOY S05E22 Someone to Watch Over Me
• ENT S04E01 Storm Front
• TNG S01E22 Symbiosis
• VOY S05E09 Thirty Days
• VOY S02E15 Threshold
• TAS S01E12 The Time Trap
• TNG S01E16 Too Short a Season
• TNG S03E25 Transfigurations
• VOY S02E06 Twisted
• ENT S01E25 Two Days and Two Nights
• ENT S01E05 Unexpected
• VOY S04E22 Unforgettable
• TNG S02E07 Unnatural Selection
• TNG S03E09 The Vengeance Factor
• VOY S06E13 Virtuoso
• VOY S04E20 Vis à Vis
• VOY S05E25 Warhead
• TNG S01E17 When the Bough Breaks
• TNG S02E02 Where Silence Has Lease
• DS9 S06E12 Who Mourns for Morn?
• ENT S03E01 The Xindi

• ENT S01E19 Acquisition
• ENT S04E15 Affliction
• VOY S06E05 Alice
• VOY S02E14 Alliances
• TOS S03E04 And the Children Shall Lead
• TNG S01E14 Angel One
• TOS S02E05 The Apple
• ENT S02E25 Bounty
• ENT S04E16 Divergence
• VOY S06E11 Fair Haven
• TNG S07E09 Force of Nature
• TNG S07E19 Genesis
• ENT S03E15 Harbinger
• DS9 S06E15 Honor Among Thieves
• DS9 S01E16 If Wishes Were Horses
• TNG S02E19 Manhunt
• VOY S07E22 Natural Law
• TNG MNG04 Nemesis
• TOS S02E23 The Omega Glory
• VOY S05E05 Once Upon a Time
• TNG S02E04 The Outrageous Okona
• DS9 S07E11 Prodigal Daughter
• TOS S03E19 Requiem for Methuselah
• DS9 S02E11 Rivals
• ENT S01E12 Silent Enemy
• TNG S01E23 Skin of Evil
• ENT S04E02 Storm Front, Part II
• DS9 S01E14 The Storyteller
• VOY S02E23 The Thaw
• VOY S06E15 Tsunkatse
• TNG S05E12 Violations
• TOS S02E14 Wolf in the Fold

• VOY S03E14 Alter Ego
• VOY S07E20 Author, Author
• ENT S04E17 Bound
• TOS S02E07 Catspaw
• TNG S01E04 Code of Honor
• VOY S04E24 Demon
• DS9 S07E12 The Emperor’s New Cloak
• VOY S01E08 Ex Post Facto
• ENT S03E03 Extinction
• DS9 S03E10 Fascination
• VOY S03E20 Favorite Son
• VOY S05E19 The Fight
• ENT S01E17 Fusion
• TOS S03E15 Let That Be Your Last Battlefield
• VOY S02E19 Lifesigns
• DS9 S03E08 Meridian
• DS9 S01E10 Move Along Home
• TAS S01E10 Mudd’s Passion
• TAS S02E03 The Practical Joker
• DS9 S06E23 Profit and Lace
• ENT S03E04 Rajiin
• VOY S03E22 Real Life
• VOY S07E13 Repentance
• VOY S04E17 Retrospect
• VOY S06E17 Spirit Folk
• ENT S01E04 Strange New World
• TNG S07E14 Sub Rosa
• VOY S02E09 Tattoo
• TNG S02E18 Up the Long Ladder
• ENT S02E10 Vanishing Point
• TNG S01E24 We’ll Always Have Paris

• ENT S02E11 Precious Cargo
• TOS S03E01 Spock’s Brain

No rating

• TOS S02E26 Assignment: Earth
• TNG S02E22 Shades of Gray