{"id":3541,"date":"2023-10-25T12:00:15","date_gmt":"2023-10-25T11:00:15","guid":{"rendered":"https:\/\/tomsalinsky.co.uk\/blog\/?p=3541"},"modified":"2023-10-09T16:59:35","modified_gmt":"2023-10-09T15:59:35","slug":"trekaday-114-star-trek-nemesis","status":"publish","type":"post","link":"https:\/\/tomsalinsky.co.uk\/blog\/index.php\/2023\/10\/25\/trekaday-114-star-trek-nemesis\/","title":{"rendered":"Trekaday #114: Star Trek Nemesis"},"content":{"rendered":"

Star Trek: Nemesis<\/strong> (\"1.5).\u00a0Insurrection<\/em> was a disappointment at the box office. There are various numbers floating around the internet but the budget would have been somewhere in the region of $60m. A $117m worldwide gross meant that it might just have scraped into the black, but would probably show as profitable overall once it came out on DVD. A long way from the big money First Contact<\/em> had made. Unwilling to continue with the same team, Paramount went looking for fresh blood. In as writer was John Logan, then best known for Any Given Sunday<\/em> and especially the multi-Oscar-winning Gladiator<\/em>. In as director came Stuart Baird, whose CV in the main chair was pretty thin, but who had worked as editor and second unit director on same acknowledged classics including the original 1978 Superman<\/em>. He had also never seen a single episode of the show. Well, you could say the same about Harve Bennett and Nicholas Meyer and Wrath of Khan<\/em> had turned out pretty well. And besides, John Logan was a fan (maybe too much of a fan\u2026?), Rick Berman was still there, overseeing things, Brent Spiner had contributed some story ideas, so we were probably in good hands. And I remember the advance word on this one being really thrilling. Berman had missed his chance to put out a new science fiction movie in the iconic year 2001, but surely the extra twelve months would guarantee success. <\/span><\/p>\n

The movie we got is\u2026 poor. <\/span><\/p>\n

All the usual problems are there – it\u2019s the Picard and Data show with five other guys just sort of hanging around the place (including Worf, whose return to the Enterprise<\/em> is never explained). Afraid of being stodgy and slow-moving like The Motion Picture<\/em>, it\u2019s full of irrelevant \u201caction beats\u201d which are meant to attract the Die Hard<\/em> or James Bond audience, but it can\u2019t be just a simple chase movie, so we have a plot which ties itself in knots with doppelg\u00e4ngers of both leading men for entirely different reasons, countdowns to certain doom, and so many things which we\u2019ve seen done better in prior movies \u2013 Data\u2019s sacrifice is a reprise of the death of Spock in Khan<\/em>, finding his head recalls adventures with Mark Twain from the telly show, his having a brother is obviously familiar, Picard goes through old photos like he did in Generations<\/em>, the Bassin Rift is another version of the Briar Patch (or the Badlands, or the nebula from Khan<\/em>), and the whole climax is a rip off of the end of Star Trek II<\/em>, with a much less interesting villain, except when it feels like the end of the previous film, with Picard alone on board the enemy ship trying to stop it from doing the thing. That\u2019s the drawback of hiring people who don\u2019t know Star Trek<\/strong>. They don\u2019t know when they\u2019re falling into well-worn grooves. <\/span><\/p>\n

Once again, we start with the telly cast in their white togs, enjoying some downtime \u2013 in this case celebrating Will and Deanna\u2019s wedding. Neither of them actually gets a line \u2013 in fact only Data and Picard speak at all in the first half of the scene. Whoopi Goldberg shows up, and contributes nothing of meaning \u2013 the point of the second half of the scene is apparently to hear Brent Spiner singing. Yay. Wil Wheaton filmed a cameo as Wesley Crusher, but it ended up cut. He\u2019s not the only one getting short shrift. Troi and Crusher are in the pre-mission briefing and never speak. In fact, Beverley Crusher gets 11 lines in the whole movie \u2013 barely more than Admiral Janeway who appears on a viewscreen and sends the Captain Picard off to meet the main plot. <\/span><\/p>\n

Remember Jean-Luc Picard \u2013 the cultured and curious diplomat who led his crew thoughtfully and compassionately through high-minded adventures for seven years? You can still see him if you squint at the bewildered family man in Generations<\/em>, the traumatised soldier in First Contact<\/em>, or the lonely romantic in Insurrection<\/em>. Here, he\u2019s been replaced entirely by a juvenile thrill-seeker who likes fast cars and gadgets, makes dick jokes to publicly humiliate his bridge officers, and whose idea of respecting the Prime Directive is strafing the locals from the back of his 4×4. Picard is such a lynch-pin of the show that you undermine him at your peril, and there\u2019s almost nothing of him left here. Much of Brent Spiner\u2019s time meanwhile is spent pulling faces and doing silly voices as \u201cB4\u201d. Hope you like that because (along with Picard\u2019s dick jokes) that\u2019s your lot as far as humour goes in this movie. <\/span><\/p>\n

This all looks good, with decent CG spaceships, strong make-up (mainly, Dina Meyer\u2019s sallow complexion seems to stop at her jawline) and a pounding Jerry Goldsmith score, but the new bridge has a cramped and awkward feel with the first officer\u2019s chair miles away from the captain, and the helm and ops stations hemming in the officers in question. And the character of Shinzon pretty much dooms the whole sorry affair. Tom Hardy has never been worse, and the notion that he was cloned from Picard proves completely irrelevant (people keep telling Picard they\u2019re not the same), and would have been even if Hardy had been able to do a better job (or if they\u2019d got Patrick Stewart to play both roles). <\/span><\/p>\n

His early scenes negotiating with Picard go nowhere. We know he\u2019s the bad guy because we saw the opening scenes of the slaughter of the Romulan senate. And Picard seemingly does too, because he doesn\u2019t do anything Shinzon wants him to. Good thing too. Then he\u2019d be a dummy as well as reckless and coarse. Compare this to Star Trek VI<\/em>, where a Starfleet captain sets aside his personal feelings in order to broker a risky peace with the Klingons. Here, a lying Romulan fails to convince a rigid Starfleet captain to attempt a lasting truce with the Romulans. Who comes out of that looking good? And does Shinzon think that dream-raping Troi (another familiar and deeply ick image from the TV show) will increase his stock with Picard? If not, why the hell\u2019s he doing it? <\/span><\/p>\n

How is the Enterprise<\/em> able to detect a form of radiation thought impossible? Why does Shinzon invite Picard to tea, let him return to his ship and then transport him back to exactly where he was against his will? In fact, why does any of this happen, because after ten minutes, Picard escapes and gets back to the Enterprise<\/em>. Why does Shinzon refer to B4 as \u201cbait\u201d when Picard\u2019s trip to Romulus was ordered by Starfleet and has nothing to do with their recent discovery of bits of android? In fact, what does Shinzon want, full stop? How does blowing up the Enterprise<\/em> with Picard on it help him get the blood he needs to survive? And what does any of that have to do with the coup he organised? <\/span><\/p>\n

I liked this one even less than Star Trek V<\/em>. William Shatner\u2019s attempt is a mess, and very very dumb in places, but it feels like Star Trek<\/strong>. This one feels like a straight-to-DVD knock off, in which characters run down space corridors firing guns with both hands. When it tries to be exciting, it\u2019s deeply silly, and when it tries to be dark, it\u2019s just sour \u2013 a very far cry from the franchise\u2019s trademark optimism about the future. Brent Spiner\u2019s performance (when he stops playing B4 like a Looney Tunes character) is pretty much the only thing worth watching. <\/span><\/p>\n

Fans stayed away in droves. It\u2019s the only Star Trek<\/strong> movie not to make a profit, reviews from the mainstream media were unkind, and fans lambasted its lack of understanding of what had made the TV show work. It killed off the adventures of this crew on the big screen. Most of them were never seen in any further Star Trek<\/strong> stories until Star Trek Picard<\/strong> began in 2020 (and the big reunion in 2023). And Star Trek<\/strong> wasn\u2019t seen in cinemas again until JJ Abrams reinvented Kirk and Spock in 2009. You can see why I didn\u2019t want Volume I<\/em> to end here. Even Stuart Baird never directed another movie.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Star Trek: Nemesis ().\u00a0Insurrection was a disappointment at the box office. There are various numbers floating around the internet but the budget would have been somewhere in the region of $60m. A $117m worldwide gross meant that it might just have scraped into the black, but would probably show as profitable overall once it came […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[11],"tags":[12,19,79,535,528],"class_list":["post-3541","post","type-post","status-publish","format-standard","hentry","category-culture","tag-movies","tag-reviews","tag-star-trek","tag-tng","tag-trekaday"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5JY5l-V7","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/posts\/3541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/comments?post=3541"}],"version-history":[{"count":4,"href":"https:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/posts\/3541\/revisions"}],"predecessor-version":[{"id":3559,"href":"https:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/posts\/3541\/revisions\/3559"}],"wp:attachment":[{"href":"https:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/media?parent=3541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/categories?post=3541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/tags?post=3541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}