{"id":239,"date":"2009-05-26T16:12:44","date_gmt":"2009-05-26T15:12:44","guid":{"rendered":"http:\/\/scriptsurgeon.co.uk\/blog\/?p=85"},"modified":"2009-05-26T16:12:44","modified_gmt":"2009-05-26T15:12:44","slug":"individualised-dialogue-an-example-from-30-rock","status":"publish","type":"post","link":"http:\/\/tomsalinsky.co.uk\/blog\/index.php\/2009\/05\/26\/individualised-dialogue-an-example-from-30-rock\/","title":{"rendered":"Individualised dialogue &#8211; an example from 30 Rock"},"content":{"rendered":"<p>Tina Fey&#8217;s breakout American sit-com <em>30 Rock<\/em> is an exemplar of the genre in many ways. Its sketch sensibility means that it has an astonishingly high gag-rate, but the characters are well-drawn and create the comedy rather than simply being mouthpieces for it.<\/p>\n<p>A well-known test of dialogue is to cover up the character names in your script and see if you can still tell who is speaking which line &#8211; does each character have their own individual voice? Here are some quick pen portraits of some of the main <em>30 Rock<\/em>\u00a0characters, which I&#8217;ll use in a minute to show you how Fey and the other writers extend this principle.<\/p>\n<p><strong>Liz Lemon<\/strong>\u00a0&#8211; the lead, played by Tina Fey. Head writer on NBC sketch show &#8220;TGS&#8221;. Fundamentally decent girl nerd, good at her job, bad at most other things. Sample dialogue: (on being asked her religion) &#8220;I pretty much just do whatever Oprah\u00a0tells me to.&#8221;<\/p>\n<p><strong>Jack Donaghy<\/strong>\u00a0&#8211; Liz&#8217;s boss, played by Alex Baldwin. Ruthlessly ambitious corporate suit who becomes a mentor to Liz despite their differences. Sample dialogue: (on being asked why he&#8217;s wearing a Tuxedo) &#8220;It&#8217;s after six. What am I, a farmer?&#8221;<\/p>\n<p><strong>Kenneth Parcell<\/strong>\u00a0&#8211; a page at NBC, played by Jack McBrayer. Endlessly optimistic and naive country boy, drawn to the big city by his love of television. Sample dialogue: &#8220;I don&#8217;t vote Republican or Democrat. Choosing is a sin, so I\u00a0always just write in the Lord&#8217;s name.&#8221;<\/p>\n<p><strong>Tracy Jordan<\/strong>\u00a0&#8211; star of TGS, played by Tracy Morgan. TV and movie superstar with a tenuous grasp on reality. Sample dialogue: &#8220;That&#8217;s not me. That&#8217;s a Tracy Jordan Japanese Sex Doll. You can tell us apart because it&#8217;s not suffering from a vitamin deficiency.&#8221;<\/p>\n<p><strong>Jenna Maroney <\/strong>&#8211; female star of TGS, now usurped by Tracy, but still consumed with self-obsession. Played by Jane Krakowski. Has been friends with Liz for years. Sample dialogue: &#8220;I got a residual check for that Japanese commercial I did! Three hundred dollars! I&#8217;m going to use the money to buy us all new boots for myself.&#8221;<\/p>\n<p>Hopefully you agree that these are all good jokes, and all reflect their different personalities. But <em>30 Rock<\/em>\u00a0also scores because it avoids having Liz Lemon as the bland focal point around which a bunch of entertaining crazies orbits. Liz&#8217;s foibles, insecurities, strengths and opinions are a big part of the show, and so are her relationships to all the foregoing (and the other characters). How well do the writers know these relationships? Let&#8217;s look at how each of the other characters listed above typically refers to the lead character&#8230;<\/p>\n<ul>\n<li><strong>Jack<\/strong>,\u00a0the corporate suit,\u00a0calls her &#8220;Lemon&#8221;<\/li>\n<li><strong>Kenneth<\/strong>, the page,\u00a0calls her &#8220;Miss Lemon&#8221;<\/li>\n<li><strong>Tracy<\/strong>, the lunatic, calls her &#8220;Liz Lemon&#8221; (every time)<\/li>\n<li><strong>Jenna<\/strong>, her friend since childhood, calls her &#8220;Liz&#8221;<\/li>\n<\/ul>\n<p>If you can nail the relationships of your characters as clearly as this, you really know the world of your story.<\/p>\n<p><strong>&#8212;<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>If you want me or one of the other\u00a0Script Surgeons\u00a0to read your script and send you a detailed report on what works and what doesn&#8217;t then we are currently offering this service from just \u00a350 with a guaranteed seven-day turnaround.\u00a0<\/strong><a href=\"http:\/\/www.scriptsurgeon.co.uk\/submit.html\"><strong>Send your script in today.<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tina Fey&#8217;s breakout American sit-com 30 Rock is an exemplar of the genre in many ways. Its sketch sensibility means that it has an astonishingly high gag-rate, but the characters are well-drawn and create the comedy rather than simply being mouthpieces for it. A well-known test of dialogue is to cover up the character names [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[26,27],"tags":[29,36,41,91,94],"class_list":["post-239","post","type-post","status-publish","format-standard","hentry","category-screenwriting","category-storytelling","tag-30-rock","tag-character","tag-dialogue","tag-tina-fey","tag-tv"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5JY5l-3R","jetpack-related-posts":[],"_links":{"self":[{"href":"http:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/posts\/239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/comments?post=239"}],"version-history":[{"count":0,"href":"http:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/posts\/239\/revisions"}],"wp:attachment":[{"href":"http:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/media?parent=239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/categories?post=239"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/tomsalinsky.co.uk\/blog\/index.php\/wp-json\/wp\/v2\/tags?post=239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}